Case study: Nevaton BPT recording vs. TV-broadcast live-mix.

Please find the video-clip of THAMOS, which features both recordings at the end of this text. The performance (brilliant artistic concept and realisation by "La fura dels baus") took place…
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Nevaton goes Ambisonics!

Nevaton VR microphone. Fantastic sound! Only 4 dB-A self noise! Soon more...stay tuned and follow us on Facebook
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Edwin Pfanzagl-Cardone about his experience with the Nevaton BPT at the performance „PENDERECKI plays PENDERECKI“ at Grosses Festspielhaus Salzburg.

Edwin Pfanzagl-Cardone: "About 10 days ago we have had the honour to host Krzysztof Penderecki both as composer and conductor at the same time: the Mozarteum Orchestra Salzburg has performed…
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Teatro de la Paz (San Luis Potosí) in Mexico is delighted and overwhelmed by the quality of Nevaton microphones

The wonderful Teatro de la Paz bought Nevaton microphones to record performances which regularly take place in their concert hall and are then often published on labels like "Sterling Records"…
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New testimonial about the Nevaton MC403/MC48 from Eneas Mentzel

Thanks to the Belgian sound recordist/sound mixer and sound designer Eneas Mentzel for this very positive testimonial! “I stumbled upon Nevaton Microphones by accident and I decided to take a…
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Nevaton BPT – Main microphone of the Salzburg Festival

Infos & facts about the Nevaton BPT directly from the head of the acoustic department of the world-famous Salzburg Festival (Salzburger Festspiele), Ing. Dr. Edwin Pfanzagl Cardone. High class recordings…
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Media Biz 05-2017 – Insights about the Nevaton BPT (recordings for Deutsche Grammophon, film-sets, etc.)

                                                           …
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Experiences with the Nevaton BPT microphone at the Salzburg Festival – Recording concerts and operas at “Felsenreitschule”.

  One of the tasks of sound-engineers at the Salzburg Festival is to make live-recordings of the performances. This recordings are often used by radio and tv-stations and are important…
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Nevaton BPT – article in the magazine “Prospect” 02/2017

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