NEVATON BPT – AUDIO&VIDEO

NEVATON BPT – Main microphone of the Salzburg Festival

Infos & facts about the Nevaton BPT directly from the head of the acoustic department of the Salzburg Festival, Ing. Dr. Edwin Pfanzagl Cardone. High class recordings in mono, stereo or surround – with one microphone. Learn more about Nevaton microphones – www.nevaton.eu Contact: info@nevaton.eu

Here is a track which was recorded at “Felsenreitschule”, with only three microphones: Nevaton BPT (main microphone, 3x figure-8) & 2 outriggers (Schoeps, CCM4 , cardioid):



Here is a recording of the very same performance by an Austrian radio station with much more effort: Decca-Tree, outriggers, a lot of support-microphones for various instrument-groups:



HIGH QUALITY CONDENSER MICROPHONE COMPARISON at the renowned “Tonzauber” recording-studio at Konzerthaus/Vienna – Nevaton BPT vs AKG C12 vs Neumann M149 vs Neumann TLM170. Please find more infos about the recording session below the video on YOUTUBE

Nevaton BPT vs. AKG C12 vs. Neumann M149 vs. Neumann TLM170

HIGH QUALITY CONDENSER MICROPHONE COMPARISON at the renowned “Tonzauber” recording-studio at Konzerthaus/Vienna – Nevaton BPT vs AKG C12 vs Neumann M149 vs Neumann TLM170 Music – Francesco Paolo Tosti (1846-1916) Title: “Non t’amo più” Artists – Vocals: Ana Carolina DIZ, Piano – Francesca CARDONE BIG THANKS to Georg Burdicek (owner&sound-engineer of “Tonzauber”) and to the producer David Hernando Rico who brought his most favourite Neumann microphones to this recording/test.


A short demonstration-clip by Edwin Pfanzagl-Cardone, which shows various aspects of the Nevaton BPT. Please note that this was recorded while horses have been on the stage, so don’t be confused by some of the sounds. A detailed description of the content can be found in the text-section below the video on YOUTUBE

Nevaton BPT Blumlein Pfanzagl Triple 3 capsule mic recording

first recording with “NEVATON-BPT” (3-capsule condenser mic) with orchestra + choir + vocal soloists [PREAMBLE: this documentary recording is presented first in a binaural version [better for headphone reproduction] and after a ‘graphics only’ section (with info on the sound-source and BPT position in the hall) of 1:40 length, the same audio-examples are repeated in the original recording format (starting at 6:00) ] This recording with the NEVATON-BPT took place in January 2015.